![\"mirro-moo\"](\"http:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-content\/uploads\/mirro-moo.jpg\")
<\/a>1961 21 martie,\u00a0\u00a0 – se na\u015fte Sumitaku Harumi \u00een Okayama, Regiunea Ch\u016bgoku din vestul Insulei Honsh\u016b.\n1976\u00a0\u00a0 – La v\u00e2rsta de 15 ani renun\u0163\u0103 s\u0103 se mai \u00eenscrie la liceu \u015fi \u00ee\u015fi propune s\u0103 devin\u0103 buc\u0103tar. Lecturile sale preferate sunt c\u0103r\u0163ile de poezie \u015fi cele de filozofie. Se \u00eendr\u0103goste\u015fte de o chelneri\u0163\u0103 cu cinci ani mai mare dec\u00e2t el \u015fi, c\u00e2nd aceasta r\u0103m\u00e2ne \u00eens\u0103rcinat\u0103, locuiesc \u00eempreun\u0103 \u00een casa p\u0103rin\u0163ilor lui. \u00cen ciuda insisten\u0163elor familiei, ea prefer\u0103 s\u0103 avorteze \u015fi, c\u00e2teva luni mai t\u00e2rziu, \u00eel p\u0103r\u0103se\u015fte pe Harumi.
\n1980\u00a0\u00a0 – Se angajeaz\u0103 func\u0163ionar la Prim\u0103ria Okayama.
\n1981\u00a0\u00a0 – Urmeaz\u0103 cursurile prin coresponden\u0163\u0103 ale seminarului budist Chuo Bukkyo Gakuin.
\n1983\u00a0\u00a0 – E ridicat la rangul de preot budist la Templul Nishi-Honganji din Kyoto \u015fi, cu aceast\u0103 ocazie, prime\u015fte prenumele Kenshin (trad. aprox. Credin\u0163\u0103 revelat\u0103). Se c\u0103s\u0103tore\u015fte.
\n1984\u00a0\u00a0 – Este diagnosticat cu o form\u0103 sever\u0103 (\u015fi galopant\u0103) de leucemie. Se na\u015fte Haruki, fiul s\u0103u, dar, la presiunea p\u0103rin\u0163ilor so\u0163iei, cei doi tineri divor\u0163eaz\u0103. Bunicii Sumitaku ob\u0163in custodia nou-n\u0103scutului \u015fi \u00eensu\u015fi Kenshin \u00eel \u00eengrije\u015fte o perioad\u0103 \u00een camera sa de spital. Acum \u00eencepe s\u0103 compun\u0103 primele haiku-uri. Se \u00eenscrie \u00een “S\u00f4un” – Societatea pentru Haiku \u00een form\u0103 liber\u0103, a poetului Ogiwara Seisensui; pe l\u00e2ng\u0103 acesta, Kenshin \u00eei divinizeaz\u0103 pe Nomura Shurind\u00f4, Taneda Sant\u00f4ka, Ozaki H\u00f4sai, Kaid\u00f4 H\u00f4ko – to\u0163i poe\u0163i consacra\u0163i.
\n1985\u00a0\u00a0 – Se pensioneaz\u0103 temporar.
\n1986\u00a0\u00a0 – Public\u0103 poeme haiku \u00een revista “Kaishi” \u015fi militeaz\u0103 pentru r\u0103sp\u00e2ndirea Haiku-ului \u00een form\u0103 liber\u0103. Starea de s\u0103n\u0103tate i se agraveaz\u0103 continuu.
\n1987 7\u00a0\u00a0 – februarie, moare Sumitaku Kenshin \u00een spitalul din Okayama, vegheat de unica sa sor\u0103, Keiko.
\n1988\u00a0\u00a0 – Apare “Mikansei”, o edi\u0163ie complet\u0103 a celor 281 de Haiku-uri scrise \u00een ultimele aproape 20 de luni de via\u0163\u0103.
\n1994\u00a0\u00a0 – Este publicat\u0103 o prim\u0103 traducere \u00een limba francez\u0103 a volumului “Mikansei”.<\/p>\n
Editurile \u015fi traduc\u0103torii nu s-au gr\u0103bit s\u0103 acorde o aten\u0163ie deosebit\u0103 poemelor acestui nefericit autor, chemat pe lumea cealalt\u0103 mult prea devreme, la o v\u00e2rst\u0103 c\u00e2nd abia \u00eencepea s\u0103-\u015fi \u015flefuiasc\u0103 stilul, iar opera era abia conturat\u0103.<\/p>\n
\u00cen francez\u0103 l-au t\u0103lm\u0103cit Makoto Kemmoku \u015fi Patrick Blanche, iar mai t\u00e2rziu Corinne Atlan \u015fi Z\u00e9no Bianu.<\/p>\n
\u00cen englez\u0103, Nakaoka Naomi \u015fi Kurose Hiroko pe de o parte, iar Hiroaki Sato pe de alt\u0103 parte.<\/p>\n
\u00cen maghiar\u0103, Terebess G\u00e1bor a f\u0103cut o treab\u0103 excelent\u0103, de\u015fi nu \u015ftim dac\u0103 a tradus direct din japonez\u0103 sau a folosit deja existentele variante europene.<\/p>\n
\u00cen Rom\u00e2nia, Citatepedia este gazda primei tentative de traducere \u00een limba rom\u00e2n\u0103.<\/p>\n
Citez din Regulile estetice de compunere a unui Haiku modern: “Un haiku \u00een forma liber\u0103 poate avea \u00eentre 17 \u015fi 19 silabe; nu trebuie respectat\u0103 m\u0103sura fix\u0103 a celor trei versuri. Un haiku \u00een form\u0103 liber\u0103 poate avea aspectul unui ter\u0163et sau chiar al unui poem \u00eentr-un singur vers.”<\/p>\n
Sumitaku Kenshin, \u015fi, fidel, majoritatea traduc\u0103torilor s\u0103i, au optat pentru varianta \u00eentr-un singur vers.<\/p>\n
\u00cen prezenta traducere \u00een limba rom\u00e2n\u0103 s-a \u00eencercat o u\u015foar\u0103 adaptare a originalelor, f\u0103r\u0103 a fi denaturat mesajul, astfel \u00eenc\u00e2t s\u0103 fie respectat\u0103 regula de 5-7-5 silabe dispuse \u00een trei versuri.<\/p>\n
Exemplificare:<\/p>\n
“\u5408\u638c\u3059\u308b\u305d\u306e\u624b\u304c\u868a\u3092\u3046\u3064”
\ngassh\u014d suru sono te ga ka o utsu<\/p>\n
“Ces mains jointes pour prier, frappent le moustique” (Makoto Kemmoku & Patrick Blanche)<\/p>\n
“The very hands joined together for prayer, flap at the mosquito” (Nakaoka Naomi & Kurose Hiroko)<\/p>\n
“The very hands joined to pray slap a mosquito” (Hiroaki Sato)<\/p>\n
“Im\u00e1dkoz\u00f3 k\u00e9z, lecsap egy sz\u00fanyogot” (Terebess G\u00e1bor)<\/p>\n
“acelea\u015fi palme
\nunite-n rug\u0103ciune
\nplesnesc un \u0163\u00e2n\u0163ar”<\/p>\n
Sumitaku Kenshin este \u00eenc\u0103 un exemplu \u00een sprijinul principiului conform c\u0103ruia pe unii boala \u00eei las\u0103 f\u0103r\u0103 vlag\u0103, pe c\u00e2nd altora le insufl\u0103 energia de a lupta p\u00e2n\u0103 la sf\u00e2r\u015fit \u015fi a ajunge nemuritori.<\/p>\n
Not\u0103: Numele japoneze din acest\u00a0text au fost redate \u00een conformitate cu regula japonez\u0103 Nume-Prenume, iar cele occidentale, \u00een ordinea Prenume-Nume.<\/p>\n","protected":false},"excerpt":{"rendered":"
Boala a triumfat cu c\u00e2teva s\u0103pt\u0103m\u00e2ni \u00eenainte ca poetul s\u0103 \u00eemplineasc\u0103 26 de ani; o via\u0163\u0103 scurt\u0103, dar foarte intens tr\u0103it\u0103, ca aceea a unui fluture: 1961 21 martie,\u00a0\u00a0 – se na\u015fte…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[117,52,247],"tags":[258,253],"class_list":["post-12307","post","type-post","status-publish","format-standard","hentry","category-pe-aripile-literaturii-universale","category-scripta-manent","category-sumitaku-kenshin","tag-biobibliografie","tag-sumitaku"],"_links":{"self":[{"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/posts\/12307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/comments?post=12307"}],"version-history":[{"count":7,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/posts\/12307\/revisions"}],"predecessor-version":[{"id":12451,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/posts\/12307\/revisions\/12451"}],"wp:attachment":[{"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/media?parent=12307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/categories?post=12307"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/tags?post=12307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}