{"id":230,"date":"2007-02-09T23:42:58","date_gmt":"2007-02-09T21:42:58","guid":{"rendered":"http:\/\/www.globe-trotter.ro\/ziaruldela5\/?p=230"},"modified":"2008-10-10T20:06:21","modified_gmt":"2008-10-10T18:06:21","slug":"ultima-ora-de-mihail-sebastian","status":"publish","type":"post","link":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/2007\/02\/09\/ultima-ora-de-mihail-sebastian\/","title":{"rendered":"ULTIMA OR\u0102 de MIHAIL SEBASTIAN"},"content":{"rendered":"

TEATRUL NA\u0162IONAL\u00a0 \u201eI. L. CARAGIALE\u201d\u00a0 BUCURE\u015eTI<\/a>, SALA MARE<\/p>\n

Ultima capodoper\u0103 a literaturii dramatice interbelice, o comedie de mare actualitate, \u00een care tenta\u0163ia banului \u015fi a puterii se confrunt\u0103 cu fascina\u0163ia bog\u0103\u0163iei spirituale.
\nO comedie de neuitat, cu admirabile dialoguri, \u00eentr-o montare realist\u0103 cu o distribu\u0163ie memorabil\u0103: <\/p>\n

Profesorul Andronic\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0CLAUDIU BLEON\u0162<\/p>\n

Buc\u015fan\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0MIRCEA ALBULESCU<\/p>\n

I.D.Borcea\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ARMAND CALOT\u0102<\/p>\n

\u015etef\u0103nescu \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MARIN MORARU<\/p>\n

Voicu\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 IOAN ANDREI-IONESCU\/LIVIU LUCACI<\/p>\n

Pompilian\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MARCELO S. COBZARIU<\/p>\n

Br\u0103nes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MIHAI NICULESCU<\/p>\n

Agopian\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CONSTANTIN DINULESCU\/OVIDIU CUNCEA<\/p>\n

Hubert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 LIVIU CR\u0102CIUN<\/p>\n

Ni\u0163\u0103\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ALEXANDRU HASNA\u015e<\/p>\n

Magda Minu \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ILINCA GOIA<\/p>\n

Gaby\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 RALUCA PETRA\/TATIANA CONSTANTIN<\/p>\n

Ana\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SILVIA N\u0102STASE<\/p>\n

Dra Werner\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CARMEN IONESCU\/LILIANA HODOROGEA<\/p>\n

\u00a0<\/p>\n

Decoruri:\u00a0 MIHAI M\u0102DESCU
\nCostume:\u00a0 LUANA DR\u0102GOESCU
\nRegia: ANCA OVANEZ-DORO\u015eENCO<\/p>\n

Prima reprezentatie: 10 mai\u00a0 2003
\nPremiera oficial\u0103: 18 mai 2003<\/p>\n

DIN PRES\u0102<\/a>:<\/p>\n

\u201cUltima or\u0103\u201d se anun\u0163\u0103 un succes de curs\u0103 lung\u0103 al Na\u0163ionalului, un moment de relief al anului teatral 2003. (…)\u00a0 O pies\u0103 \u201cla zi\u201d ca un articol de ziar \u2013 A\u015fa \u00ee\u015fi intituleaz\u0103 Anca Ovanez Doro\u015fenco confesiunea despre fermec\u0103torul s\u0103u spectacol. (…) Cu aceast\u0103 montare, regizoarea se re\u00eentoarce pe prima scen\u0103 dup\u0103 treisprezece ani. Elev\u0103 a profesorului Radu Penciulescu, figur\u0103 reprezentativ\u0103 a genera\u0163iei \u201970 -\u201980, stabilit\u0103 \u00een Fran\u0163a \u00een 1990, profesor la Conservatorul de Art\u0103 Dramatic\u0103 \u015fi Muzic\u0103 din Antibes, ea a r\u0103mas \u00een mmoria spectatorilor \u015fi oamenilor de teatru rom\u00e2ni prin c\u00e2teva produc\u0163ii de referin\u0163\u0103 ca: Troienele de Euripide (Premiul pentru regie la Festivalul de la Piatra Neam\u0163), Don Juan sau dragostea pentru geometrie de Max Frisch (Premiul pentru cel mai bun spectacol la Festivalul Teatrelor Na\u0163ionale de la Ia\u015fi), Torquatto Tasso de Goethe (Premiul Criticii pentru cel mai bun spectacol) sau Minetti de Thomas Bernhardt, av\u00e2ndu-l \u00een rolul principal pe Octavian Cotescu. Revenirea de acum este de bun augur deopotriv\u0103 pentru text, pentru trup\u0103 \u015fi public. (…) \u00cen t\u0103lm\u0103cirea scenic\u0103 de azi, inspirat\u0103 de contemporaneitatea imediat\u0103, Anca Ovanez Doro\u015fenco are ca piloni \u201cbanul\u201d \u015fi \u201co lume f\u0103r\u0103 idealuri politice\u201d, p\u00e2rghiile mecanismului corupt fiind \u201cmass-media, afacerile \u015fi cultura\u201d.(…) Cadrul acestei satire este Bucure\u015ftiul interbelic sugerat plastic admirabil de un artist rafinat, scenograful Mihai M\u0103descu. (…) Al\u0103turi de costumele caracterizante, expresive, ale Luanei Dr\u0103goescu, decorul este un personaj, un pol de tensiune \u015fi gra\u0163ie. \u00cen aceast\u0103 ambian\u0163\u0103, Anca Ovanez Doro\u015fenco realizeaz\u0103 o montare de o clasicitate modern\u0103, comic\u0103 \u015fi grav\u0103, ce se urm\u0103re\u015fte cu pl\u0103cere.\u00a0\u00a0 (…)\u00a0 O crea\u0163ie puternic\u0103, remarcabil\u0103 face Mircea Albulescu \u00een Buc\u015fan. Prin mersul ap\u0103sat, mimica \u00eempietrit\u0103, mi\u015fc\u0103ri lapidare \u015fi rigide, pronun\u0163ia c\u00e2nt\u0103rit\u0103, altern\u00e2nd t\u0103cerea cu emisia vocal\u0103 t\u0103ioas\u0103, interpretul sugereaz\u0103 cu str\u0103lucire lipsa de scrupule, brutalitatea, duritatea, dar \u015fi vulnerabilitatea eroului s\u0103u.(…) Cuplul Alexandru Andronic-Magda Minu este carismatic. (…) O revela\u0163ie este presta\u0163ia Ilinc\u0103i Goia \u00een Magda, cu treceri seduc\u0103toare de la fata angelic\u0103, exaltat\u0103 \u015fi voluntar\u0103 la \u201cvampa\u201d lucid\u0103 \u015fi calculat\u0103. Actri\u0163a este \u00een spectacol un maestru de ceremonii care are frumuse\u0163e \u015fi senzualitate.\u201d\u00a0 –\u00a0\u00a0 Ludmila Patlanjoglu, COTIDIANUL, 2 iunie 2003.<\/p>\n

(Alte cronici<\/a>)<\/p>\n

\u00a0\n<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

TEATRUL NA\u0162IONAL\u00a0 \u201eI. L. CARAGIALE\u201d\u00a0 BUCURE\u015eTI, SALA MARE Ultima capodoper\u0103 a literaturii dramatice interbelice, o comedie de mare actualitate, \u00een care tenta\u0163ia banului \u015fi a puterii se confrunt\u0103 cu fascina\u0163ia bog\u0103\u0163iei spirituale….<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-230","post","type-post","status-publish","format-standard","hentry","category-al-treilea-gong"],"_links":{"self":[{"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/posts\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":0,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/posts\/230\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/media?parent=230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/categories?post=230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.globe-trotter.ro\/ziaruldela5\/wp-json\/wp\/v2\/tags?post=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}